Tag Archives: finished projects

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2014- A Sewing Year in Review

2014 was an extremely busy year for me.  Starting the new clothing line took nearly all my energy from the start, but I did manage to squeeze in some personal sewing!  A lot less than years past, but here’s the things I made this year.  I also included needlecraft in this list, since I worked on that more than in years past.

Click the images to be taken to the blog post page.

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A Lucile Inspired 1910’s Gala Dress.

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Poiret Inspired Dress

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A 1919 Slipover Knitted Vest

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An S-Curve Corset + “Improvers”

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1929 Pajamas

knitforvictory2A  1940’s Knit Sweater & Sailor Trousers

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A 1940’s Shirt Made From A Thrifted Men’s Shirt.

And some projects without blog posts:

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A Crocheted 1913  “Manitoba Toque”

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Rebuilt Edwardian bodice and made a matching skirt (Photo by Theophilus Wilhelm von Dorian III)

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Finished the skirt and jacket for the 1916 Suit Pattern.

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I hand sewed my first costume since I was a kid without a sewing machine and made this 1790’s Regency dress.

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I finished a filet crochet vest, which ended up way too small.

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I made a 1950’s circle skirt and bolero for a trip to Missouri.

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I made a 1950’s dress I ended up hating and never wearing (but I still love the fabric).

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I learned Filet Crochet and made my husband a coaster.

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I made hats for the 1940’s Hats Pattern.

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I made a 1940’s blouse and a late 1930’s jumper (and I still haven’t’ worn it!).

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I made a blue 1940’s shirt and a plaid skirt for the L.A. Air Raid.1962835_627269587349195_1961484515_n

I completed 1790’s transitional short stays, but never got a proper picture.

10345758_660110570731763_2508132231884679567_nI made a stripy early 1940’s dress and wore it in San Fransisco.

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1940’s Rayon Trousers (super baggy, so I rarely wear them!)

I guess I accomplished more than I thought!  Most of these were done in the first half of 2014, and the second half was almost ALL WHC.

I sewed countless mock ups and samples for Wearing History Clothing.  I don’t even know how many.

And now…. the UFO (unfinished object) list…

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A 1920’s Raffia Crocheted Hat

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Matching Western Shirt and Playsuit for me and my husband.

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I learned Irish Crochet, but I never made anything with them!

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I started the Colette Patterns bag for Christmas presents but it never got done.

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I finished knitting a 1910’s pattern but never sewed it together.

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I started a 1940’s sweater and then it got too cool to continue knitting rayon.

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I re-learned loom beading, but never finished my necklace.

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I nearly finished the Folkwear Big Sky Riding Pants, but they still need buttons and a hem.

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I started tailoring a 1919 Suit Jacket, but I expected this to continue into 2015 because tailoring takes forever!

Most of my UFO’s were started in the second half of the year, when I wanted a creative project but didn’t have the time to follow through with completion!  I still really like them, so I’m sure I’ll finish most of them :)

One of my resolutions for this year is to get back to blogging more regularly.  It sort of fell by the wayside in the second half of the year (sorry, readers!)

Onward to 2015!  I already have plans for a 19-teens skirt for myself!

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Finished Project: Irene Castle & Lucile Inspired Gala Dress

Hello!  Hope everyone had a wonderful weekend.  Today, I’m finally sharing my 2014 Costume College Gala Dress!

Several of us signed on to do a group project of Robe De Styles for this year’s Costume College.  While most people think of 1920’s gowns with the panniers for Robe De Style (see my Pinterest board here), I wanted to do a bit of a predecessor of the style by doing 19-teens style of a similar silhouette.

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Lucile’s “Happiness” dress, in the collection of the Philadelphia Museum of Art

One of my favorite extant gowns of the 19-teens is the “Happiness” dress by Lucile from her 1916 Autumn collection.  Lucile was also known as Lady Duff Gordon, who was a survivor of the Titanic disaster.  If you’d like to see more of her work, check out my pinterest board.  Since I’ve been utilizing Pinterest a lot for my projects, you can also see the other looks that I was brainstorming and inspired by for my gala dress, here.

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Lucile, 1919.  In the collection of the Met museum.

I loved the fullness of skirt of the “Happiness” dress, but I also loved the draped skirt on some of Lucile’s other work.

IreneCastle1I’ve also long been a fan of Irene Castle’s style.  Vernon & Irene Castle were a world famous husband and wife dancing team of the 19-teens.  Above she wears a Lucile creation.  You can see my Pinterest board of Irene Castle’s style here.

I was procrastinating for a long time on my Gala dress because I simply didn’t know what I wanted to do.  Inspiration overload!  I was also elbow deep in designing and prepping my new clothing line, and time was tight.  Finally, I dug in and went for it.

I started with a base of this pattern from the Vintage Pattern Lending Library for the bodice.  All else was pretty much draped or cobbled together from my knowledge of period construction by studying extant garments.  I was bad and didn’t even try it on, which meant that the torso was much too short for me (and I’m short waisted.  Disclaimer, there, if you want to buy that pattern).

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I had seen tucks in several of the research photos I found, so I used a twin needle and started creating tucks to go around the waist.

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A little too tuck-crazy, I played with the fabric on the form until I found I really liked the loop of this “seashell” kind of design, created by draping and twisting the fabric.

For fabric, I had a gold tissue lame silk chiffon in my stash which I had planned on using for an Edwardian gown.  I also had a sea green crinkle silk chiffon, and I bought the sea green silk taffeta in Los Angeles a few weeks before Costume College. With these, some belting, some beading, and some silk roses (made during class on Saturday!), I made this dress.

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I am not a dancer, and not graceful, so luckily I had some help with posing from some friends and bystanders so I could attempt at the poses I loved in Irene Castle’s photos.

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Here’s a black and white one, just for kicks, because it makes me feel like a time traveller :)

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And me looking like an advert for drinking tea at dinner that night :)

Yay!  I love this dress!  I am a little unhappy I was in such a rush that I didn’t get to do the fittings I really needed, so the armholes are a little wonky and the torso is a little too short, but otherwise, I really love the dress and I’ll be looking for an excuse to wear it again.

And, because I was asked at Costume College- I’m sorry, there won’t be a pattern for this.  It was just a personal project, and it’s a bit too complicated to do into pattern form.

If you’re wondering, I get into the dress by opening at the side of the skirt.  The bodice is overlapped it at center front, and it snaps (or, it should snap, but it was really pinned) into place. It’s that crazy Edwardian/1910s puzzle piece of a way to get into garments.  If you’ve seen real ones, you’ll totally get what I’m saying.  They were really creative at fastenings back then.  Today, we have invisible zippers to do this- but they snapped and hooked at all sorts of strange places to make it look like your dress just magically was on your body without any obvious fasteners.  That’s one thing I wish that movies that are set in the 1910’s would do instead of putting a big ol’ zipper up the back.  But I digress… I hope you like the dress :)

 

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Finished Project: 1002 Nights Poiret Dress

I have just finished up my Poiret inspired dress!

Paul Poiret is one of my fashion design icons.  Making a dress that paid homage to him was really fun!

I felt so “high fashion” in it, because of it’s absurdity, so had fun with editing my photos to capture the way it felt.

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If you missed the prior post with more details about the making of this dress, you can find it here.

This “excuse” for making this dress (not that I needed one) was the Historical Sew Fortnightly’s “Fairytale” challenge.  Here’s the info for the challenge:

The Challenge: #6- “Fairytale”  Inspired by Paul Poiret’s “One Thousand and Second Night” party.

Fabric:  The tunic is all poly with little rubber dots on it.  Pretty horrid, but has a great look when made up for the “Poiret” look.  The dress is a black satin rayon, which they actually did have in this time period.

Pattern: Underdress: My Cordelia skirt pattern and the 1910s Blouse pattern with an altered neckline and no sleeves.  Overdress:  Very loosely based on a bodice pattern from the period, but mostly entirely self composed as I went along.

Year: 1913-ish

Notions: Indian import trim, hooks and eyes, snaps, hoop wire, bias facing.

How historically accurate is it?  If it wasn’t for the fibre content, it would be pretty close.  I’m knocking myself for that, though, and giving myself a 40% accuracy marking.

Hours to complete:  I have no idea.  Maybe 12-ish?  It went pretty fast, but I puttered in 15 minute increments on it over the span of three weeks (didn’t make the “fortnight” due date).

First worn: Today for pictures!

Total cost: Hmm…. considering the only thing I really bought for this was the dupatta, I think it was around $35.  Everything else was from the stash.

More outfit details:  My shoes were thrifted, my hat is authentic Edwardian, and the brooches, etc are vintage, with the exception of the necklace and earrings, and the choker I used as an accent on the belt.  All of those are new from Ebay, bought over the last seven years or so.

 

Finished Project: 1919 Knitted Slipover “Bodice”

I have been working on this on and off for about a month or so, and just finished it up!  I’ve come down with a rotten cold, so the opportunity of finding couch worthy projects helped me finish this up.

I may be stretching a bit, but since I just finished this, and the next Historical Sew Fortnightly challenge is “Bodice”, I’m going to use this as a submission.  A little internet searching, and I found this “knitted bodice without sleeves” from 1870 on the Vintage Stitch-O-Rama Free Pattern Emporium.  The one I made is nearly 50 years later, but a similar idea.  Maybe stretching the “bodice” idea a bit (har had, it’s knitted, so it already stretches), but I’m going with it.

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Here is the pattern I made mine from.  It’s available in my Etsy shop.  I fell in love with it in the original periodical I have in my archives.

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I admit, I didn’t do this pattern exactly as it is.  Being a somewhat notice knitter, I was clueless as to how to pick up stitches and knit the border around the collar and down the front.  And it wanted me to make buttonholes.  So I cheated, and crocheted the edge instead.  There’s enough stretch in the sweater for me to not have to have functional buttonholes.

I also changed the way the cord was made.  I didn’t like how the one looked that the instructions called for, so I looked up “crocheted cord” on Youtube and ended up doing one that’s often used in crocheted lace, or macrame.  I like it!  It took a while to get used to doing, but after a while I got in the groove and the two yards I needed to make went pretty quickly.

I also realized, as I was working this up, that I colorized the photo wrong, and there were meant to be three colors.  Oops?  I actually prefer the two.  In the original instructions, the collar and front three cord and button fasteners are supposed to be a different color than the slipover and edging and cord.

The pattern is old, and so isn’t terribly instructive like modern patterns.  I had to fudge a little here and there, since I had never made crocheted buttons or crocheted top tassels before, but I just played with single crochet and it worked out just fine.  For the base of the buttons I just used some plastic buttons in my stash that I didn’t particularly like, but that were flat.  I know I had plastic rings around here somewhere, but these worked in a pinch.

I’m pretty proud of myself for finishing this!  I’m actually REALLY pleased with how it came out.  I’ve had so many knitting disasters in my eight-ish years I’ve knitted on and off, that it’s nice to have something look pretty close to the original image.

I’ve shown this over a 1910s blouse I made a few years ago and an original vintage skirt from the 1910s to very early 1920s.

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The Challenge: #5 Bodice

Fabric: (Yarn) Shine Worsted Yarn by KnitPicks.  I loooooove this yarn!  So soft!

Pattern: 1919 Knitted Slipover (PDF in my Etsy Store)

Year: 1919

Notions: Buttons to cover.  I used sewing thread to sew on the buttons and little cord things across the front.  Crochet hook and knitting needles.

How historically accurate is it?  Nearly 100%.  The buttons I used to cover are modern plastic, and they may not have had cotton/rayon yarn then, but again, they may have, as rayon was often called “artificial silk” in this time period.

Hours to complete:  A million.  I’m not the fastest knitter.

First worn:  Not yet, but I’m totally planning on wearing this with modern clothing as well as historical, so I’m sure it will get some use.

Total cost:  Maybe $30?  I think I used about 7 balls of yarn at $2.99 each plus shipping.

Finished Projects: Edwardian S-Curve Corset + “Improvers”

If you’re following me on Instragram, you may have seen my progress posts on my Edwardian corset and bust improvers.  The corset project was a UFO from last year’s Historical Sew Fortnightly from the same challenge.  This year I was determined to finish it.  It’s just in at the deadline, barely, but I finished it!

I have a few entries for this challenge, since I decided to make Edwardian bust improvers to go with the corset.  Each project is listed separately, but I’ll include them both in this post.

It was much too small, so I had to add 2″ panels to each side.  Luckily, with the other seaming, it’s not terribly obvious.  I had accidentally cut this WAY too small, and had forgotten I had added extra seam allowance to my mock up but didn’t transfer it to my pattern.  Thank goodness I had *just* enough coutil and fashion fabric to cut panels!

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The Challenge: #4- Under it All

Fabric:  Cotton coutil, silk broade

Pattern: Truly Victorian TVE01- 1903 S-Curve Corset

Year: 1903

Notions:  Metal boning, busk, eyelets, ribbon, vintage laces, corset lace, bone casing, twill tape for loops for detachable garters (garters were made for a previous corset, but work for this one as well).

How historically accurate is it?  Pretty close, but I serged the inside seams instead of leaving them raw or flat felling them.  The garters are not really period correct, as they would have been constructed differently.

Hours to complete: Way too many

First worn: Not yet.

Total cost:  Pretty expensive.  I didn’t keep track, but I’d guess in the $50-$60 range.  Most of the materials were bought either last year or several years before, so I didn’t need to buy any new products to complete this during this year.

paddingAlso made were the padding.  I made the “hip pad” from the Truly Victorian pattern that was included with the corset.  For the bust pads, however, I decided I wanted ones similar to those in the LACMA museum, that I had seen in the “Fashioning Fashion” exhibit.

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Woman’s Bust Improver (Falsies), England, circa 1900, image from LACMA
I drafted up a quick pattern based on these.  First I made ones that were 16″ across, but they were kind of big and more “Barbie”ish.  Today I whipped up another pair that are 14″ across, and they suit better.
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To compare, here’s the larger ones, and the smaller ones.  They’re both somewhat ridiculous, but so period correct!
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I actually ended up sticking this up on my site as an e-pattern.  Since I went to the trouble, I thought others might want to make some, too.
e102COVERwebFair warning/disclaimer.   These were based on those in the collection of LACMA, but the pattern I made is in no way affiliated with LACMA, or endorsed by them.  It was just a fun, quick project, using an existing period example as inspiration.
In any case…
For kicks, I took pictures of my corset with a dress I had made a few years ago with padding and without padding, to get an idea of how it changes the silhouette.
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How interesting!  It reminds me so much of this ad:
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The Challenge: #4- Under it All

Fabric:  Cotton muslin, cotton shirting

Pattern: Truly Victorian TVE01- 1903 S-Curve Corset, + Wearing History E102- Edwardian Bust Improver

Year: 1900-1908

Notions:  For hip pad: Cotton wadding, twill tape.  For bust improvers: cotton wadding, double fold bias tape, flat lace that was gathered, lace beading, silk ribbon.

How historically accurate is it?  Pretty close.  I think the TV pattern is dead on for the period.  Bust improvers of the time varied greatly, so I wouldn’t be surprised if some exactly like this existed.  The museum examples were constructed open at the back, so they could be stuffed and unstuffed.  For ease, and because I will very seldom actually wear these, I just stuffed them and seamed it in, so they have  closed back.

Hours to complete: These were quick. Probably under an hour for each item.

First worn: Not yet.

Total cost:  Everything was from the stash.  Actual cost of each was probably under $5.  The cotton batting was free, and everything else was constructed of scraps of inexpensive cotton.  The lace was probably the most expensive part, since it was all vintage.  The silk ribbon was maybe a few dollars a yard and under a yard was used on each bust improver.

Finished Project: Early 1920’s Combinations.

At first I wasn’t sure if it would be done by the Historical Sew Fortnightly deadline, but I made it!  The finishing touches were done last night.

If you missed the prior post, with more details on the process, you can find it here.IMG_0830 IMG_0831 IMG_0832 IMG_0833 IMG_0834 IMG_0835

The Challenge: Historical Sew Fortnightly “Pink” Challenge

Fabric: Vintage silk crepe

Pattern: Butterick 3201

Year: 1921

Notions: Vintage lace edging and insertion, vintage “imitation silk” embroidery threads, silk ribbons for embroidery, pearlized off white beads, hook and eye tape, and a few little ombre ribbon flowers.

How historically accurate is it?  Very.  I used all period correct techniques, including french seams and insertion methods.  The modern things would be of polyester, including the ombre ribbon flowers used at the sides and the straps, polyester thread, and the hook and eye tape is most likely polyester, with the hooks and eyes having some sort of white plastic coating.  Otherwise, it’s all authentic, with period correct techniques and materials.

Hours to complete:  A lot.  I spent a good amount of time on embellishment.  Otherwise it would have gone together quickly.

First worn:  Not yet!

Total cost: I’m not sure.  The fabric was bought at an estate sale a long while ago, and I don’t remember the cost, but it was probably $5-$10.  The lace and trims probably total somewhere around $5.  I don’t remember the cost of the pattern.  So we’ll say, probably $30 or so.

It hangs a little funny on my dress form, because she is not biforcated. ;)

I’m pretty proud of this one!  I spent time of doing French seams and embellishment.  I think it looks pretty close to some of the period ones I have seen, and, because of the fabric, even feels like a real one!  Yay!

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Finished Project: 1929 Pajamas!

I’m so excited these are finished!

I was so excited, I did a flapper dance.

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And then I had silly time with my boudoir doll!

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And then did ridiculous self portraits.

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^this is my “I survived the pajamas without going (too) crazy” face!

Seriously, I started today with a super low self confidence.  But sometimes pep talks from your best friend and crazy silly dress up time do wonders for morale.

These were a pain in the butt to make, because I was having a bad sewing streak where you’re unmotivated and do dumb things.  And I gave myself a pretty nasty iron burn that’s about 6 inches long that’s still healing.  But if you want more info, check out my previous post about these with more details.

The Challenge: Innovation (using rayon fabric, pajamas for women, and art deco as influence)

Fabric: Rayon print, and coordinating lightweight rayon twill

Pattern: Butterick 2657

Year: 1929

Notions: Two buttons, elastic

How historically accurate is it? Pretty darn close!

Hours to complete: About 6-8ish.  But spread out, because I was having C.A.D.D. and didn’t want to work on them.

First worn: Today for photos!

Total cost:  I think I paid a pretty penny for the pattern, but I don’t remember how much.  The fabric was super cheap- about $9 total.

Those old Butterick patterns are a pain sometimes!  I ignored all my best advice for other seamstresses and didn’t mock up and didn’t do flat measurements of the pattern pieces, so these ended up WAY too big!  Oh well, they’re just pjs.  They’ll be comfy.  I also found the illustration kind of deceptive.  There were other quirks that come with working with old patterns.  But they’re done and wearable!  Yay!

I totally want to make all the 1920s things now.  I’m addicted.