Tag Archives: vintage collection

A New Hat and a Visit to a Friend

Last Saturday we went to visit one of our friends, Josh.  I had just scored this awesome vintage hat, so my husband was nice enough to snap a few shots for me to share :)
hat2 hat1

The blouse is part of a two-piece set from the 1940’s that I also found recently.  The skirt is just a hair too small, though, so I’ll be wearing that in the Spring (God willing).


The hat is just so wacky!  It’s composed of both fabric and straw, and decorated with crazy little straw bows.  It’s a 40’s style by Sax Fifth Avenue.  I’ve only really seen these in old magazines, so I’m excited it’s come to live in my closet.hat4

And my crazy thrown together at the last minute outfit!  I’m currently working on a matching top to those trousers, so I can have that vintage Kate Hepburn look.


Our friend Josh (author of the Sunkissed: Sunwear and the Hollywood Beauty 1930-1950) has lovingly restored his 1930 home.  It was a real mess when he bought it, but it was complete with the original furnishings.  A real vintage lover’s dream.  He’s very dedicated, and his hard work paid off.  On his mantel are movie stars he either met in person or wrote to, and they autographed their portraits to him.


He has the dream vintage kitchen.



My husband, sporting a vintage policeman’s hat and glasses, just because ;)


This adorable needle case came with the original house contents.

We were there to visit, but I was also there to teach him how to use a vintage sewing machine he just acquired, so he could do basic repairs.

By the time we got to lessons, though, I was tired and “let my hair down.”  Here’s Josh and Veronica Lake (aka, me with hair in my face).

It was a fun day out!


Birthday Outing- Oak Glen Swing Dance

A little before my birthday my friends Beth (of V is for Vintage Blog) and her husband, Chris, and my husband and I went up to Oak Glen, California, to a fun little WWII themed swing dance at Riley’s Farm.  I had never been to Riley’s Farm before, and it was so cute!  We’ll definately be back!

I don’t have any actual photos of swing dancing, but here’s some fun little photos of us wandering around the grounds before the dance.  In case you can’t tell, autumn stuff and pumpkins are some of my favorite things.

I won an apple pie as a prize for best girl’s costume!!  How exciting!!  That would have been, like, a million rations!

I wore all vintage to this event- no me-made for once!  The fun plaid suit I bought last year from an online vintage seller, with an overcoat found at a flea market, a red purse (not 40s, but vintage) found at a thrift store, and a hat bought from a local vintage store.  Beth wore one of my favorite vintage dresses she owns, and our husbands both wore vintage suits.

Hope you all had a great weekend!

Outfit Post: New 1940s Plaid Suit!

I’m so, so excited!  My Christmas present from my husband got here, and it has to be one of my very favorite vintage things I’ve ever owned.  He said I could pick out a couple things on Etsy for my gift, and I jumped on this suit from Raleigh Vintage.  It’s an early 1940s lovely wool suit- kind of like a tweed, with a thick weave in a bold red, white, gray, and black.  So yummy!!  I’ve always admired vintage suits, especially the “man-tailored” or “collegiate” style ones, so I’m very excited this lovely suit is now gracing my closet :)

I love how I can wear the suit open or closed- both look really authentic to the sporty look of the early 1940s,

My felt “envelope” hat is also new.  I bought it recently from Frock You Vintage in San Diego.

And a silly little close up.  I felt very “film noir” detective girl in this suit!

Now on my wish list, I would love to find a red tweedy wool jacket so I can mix and match a 1940s wardrobe, and a gray or red overcoat.  Someday!  For now, I’m just much too thrilled with my new to me vintage suit :)

A Day at the County Fair

Yesterday we had a small meet up with some of our friends at the San Diego County Fair. It was a beautiful day- clear skies, lovely weather, fun with friends, and old timey fair fun!

We went to see the Horseless Rodeo, a nearly 100 year old relay of old time car races put on by members of the Horseless Carriage and Model T club.  Unfortunately my husband and I were running super late and got there just in time to see the cars leave the arena. Oops!  But we still had a blast wandering around the fair.

Here are some of my favorite photos of the day:

A crowd of five vintage jockeys relaying for position on the carousel.

My camera picked this up a tad earlier than I hoped, but seeing the little girl waving, and the expressions of our friends John and Katherine, made this one of my favorite photos of the whole day. It captures the fun, I think :)

The extremely stylish Mother/Daughter duo, Teresa and Kitty

Box camera vs. photobooth.

We couldn’t help standing in line to hold this adorable little piglet at the Swifty Swine Pig Races.

Katherine the Fearless makes friends with the bovine.  She’s a very talented artist who has just started a sketch blog on Tumblr.

My vintage dress was a gift from talented makeup artist friend Kat of GoForKat Makeup Artistry.

A close up of the fabric print.  How could I resist wearing it to the fair?

And the photobooth picture!  You can just catch a glimpse of my husband’s glasses (and nose) in the upper corner! Hehe!

What a fantastically fun day!

Extant Garments: 1910s White Blouse IV

This is the final post of detail shots of the 1910s white blouse.  Today we’re going to look at the waistline and the back fastening.

This blouse is a fun combination of several different techniques that were used in the lingerie blouses or shirtwaists of the period.  Often you’ll find that they are gathered and stitched to a band at the back and then left loose at the front, the excess of which would to be pulled in with ties.  The concept is similar to blouses today that have ties sewn into the side seam that pull the excess fabric and tied together in a bow at the back to make the front fitted.  Think of the reverse of that, to pull the excess to the front and create a smooth back.  In other instances you’d see a drawstring or elastic in a casing all the way around (which is what we have in the 1910s Blouse Pattern).  There’s variations on all of these, but this one is fun in that it has the back gathered to a band with a shorter peplum at the back, and then in the front we have a longer length with an applied casing and drawstring.

The casing, interestingly, is applied to the right side of the garment and the drawstring comes out of the garment at the center front through two hand finished openings.  This makes the front of the garment lie flat for ironing and makes it somewhat adjustable for waist size.  Here we have a view of it flat and ungathered.

Here is a closer shot of the back so you can see the variation of garment length below the casing.

This garment is interesting in that it has gussets added at the side back.  Perhaps the garment was homemade and the seamstress neglected to make a muslin before constructing ;)  It’s also likely that these were added later, especially if the owner of the garment needed extra room across the back.  I’ve never found any references to this in my books or magazines if this was constructed this way originally and intentionally so would be interested to hear if anyone has run across anything in their studies.

Here’s an inside shot of the above, as I thought you may be interested to see the seam finishes and catch a glimpse of the back side of where the band is applied at the back. Also notice the very narrow hem.

Now to the back fastening, you can see here the self facing made and the buttonholes, and also a close up of the pintucks.  As mentioned in a previous post, it is uncommon in my research to find the back self facing plackets interfaced.

Here is a shot of the inside.

And lastly, here is a picture of the back of the blouse when fastened and detail of the cute mother of pearl buttons. The buttons are small, about 3/8″.  The back placket is about 1″ wide.

That’s all for this little blouse’s debut! I hope you’ve enjoyed seeing the close up and construction shots of this original blouse, and I hope it inspires you for your clothing creations!

Extant Garments: 1910s White Blouse Part III

Continuing our peek at the inside of this white blouse, today I’m sharing the detail of the sleeve placement.

Although this garment is, in essence, quite simple (as it’s the decorations which make it more elaborate like the tucking, embroidery, and lace), it is quite interesting to see the differences in the shape and placement of pieces for constructing this blouse as compared with modern ideas of blouse construction.  I think the sleeve is a perfect example of this concept.  If you’re at all familiar with Victorian or with vintage construction, you can see that this is a neat middle point between the two.

This is a view of the front of the blouse. Notice how the underarm seam of the sleeve is visible from the front.  The seam is actually placed forward to where we place underarm seams of sleeves today.  This is a one-piece sleeve.  Of course, the sleeve was drafted to allow for this placement, in order for it to hang correctly and the underarm seam to be in the correct position while not throwing off the hang of the sleeve.

Also of interest is where the sleeve cap lines up with the bodice.  If you’re familiar with Victorian garments you will recognize the sloped shoulder seam.  This is a transitional period, as with some earlier garments you get a more extreme shoulder seam slope, and with later garments it gets more to where we are accustomed to them today at the top of the shoulder.  This seam falls at an angle, being closer to the  standard shoulder seam placement as we know it today at the neck and then angled down more towards armscye.

Here’s a shot of the blouse on the table with the sleeve flipped up.  The seam falling vertically on the right is the side seam of the bodice, which in this instance, is placed further back than we place them today.  The seam running vertically at the upper left of the picture is the underarm seam of the sleeve.  The seam running horizontally is the armscye (armhole) seam.  You can see the interesting placement of the sleeve seam and side seam, especially when compared with where we would expect the underarm seams of the bodice and the sleeve to line up with one another today.

Lastly for today, here is a shot of the inside of the bodice flat on the table.  We are looking primarily at the inside of the back bodice and the side seam, shoulder seam, and armscye.  You can see that the side seam and the shoulder seam are finished with French seams.  The armscye has an interesting seam finish, similar in essence to a felled seam, however, the seam allowance is wrapped over itself and then turned under to encase the seam, then carefully hand picked to itself to finish it, so that the seam allowance lays free but is self finished.  This would have required additional seam allowances at the armscye.

A few more little detail shots coming up.  I hope you are enjoying this peek inside this vintage piece.  I love how intricate the details are, and yet how simple it is in essence!

Extant Garments: 1910s White Blouse Part II

Happy Monday! I hope your weekend was splendid!  We had a nice storm here this weekend.  I *love* the rain, so was quite enthralled.

Continuing with the post of shots of the white blouse, here’s a few more detail shots and notes on construction.  We’re going to take a peek inside the neckline for the lace edging today.  You can click on these images to make them larger so you can see in more detail.

Here is a shot of the outside of the blouse.  Over time the lace at the neckline seems to have stretched a bit, but this blouse was originally meant to have a bit of a squared neck.

Inside here we can see the corner.  The lace is composed of two different pieces which were attached together and then applied to the blouse.  Here you can see the mitered corner of the lace and also the teensy tiny little hem that was made on the blouse neckline, and where the corner was clipped and the hem continued.  You can also catch a glimpse of the back side of some of the embroidery.

This is a shot of the inside back of the neckline.  You can see that the lace was finished first with a narrow hem at the back edge.  The back of the blouse was finished with a self facing to form the back placket for the fastening and base of the buttons/buttonholes. Then the blouse and lace were joined together.  Looking up close at the blouse it may be possible that the tiny hem was made first, then the lace applied, which is different in construction than the lace instruction I have found from both period and modern sources, where the lace was applied before creating the finish on the inside.  You can see up close the row of machine stitches and also the row of tiny hand stitches.  Also, it’s worth noting, that the self facing has no interfacing and you can also see the little hand done buttonhole.

More close up shots coming soon, and I also have basic lace insertion by machine tutorials coming up soon in honor of the new 1910s Blouse Pattern.