Tag Archives: victorian

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Free Victorian Knitting Patterns: 1854 Men’s Traveling Cap + Knitted Flowers

 

 

Two posts, two days in a row?  I’m on a roll!

Today I’m sharing a pretty cool couple of pages from an antique Godey’s Ladies’ Book from 1854 that I found in Missouri this summer.  I know I may be a bit crazy, but I LOVE this knitted traveling cap.  How steampunk is this?

As a little bonus, there’s a little over a page of instructions for knitted flowers.  There’s no illustrations, so you’d have to try them out yourself from the old written instructions and see how they turn out.

If you make either of these items, please share with me!

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Click on the images below fora  large version that you can read and print.gentcap gentcap2

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Video Blog: About “Sophie” and Victorian Patterns

Hello!

Oh my goodness, I am SO THANKFUL for your comments and feedback you have given me!  I am still on a “learning curve” with these videos, but I am glad you seem to be enjoying them.

In this video, I talk about the new “Sophie” jacket pattern, as well as the 1880’s Dinner Bodice pattern I have online.  You will see original period source material from the Victorian era, and learn a little about how I take this original material and put it together into my patterns.  I hope you learn something new, and enjoy the video!

Thank you for your time, and please feel free to “share” this video online with your friends :)

Hugs, and have a great weekend!

Lauren

Video Blog: Favorite Pattern & Close Up Detail

Hi there!

Wow, I was so encouraged by your comments on my video blog that I decided it might be fun to try it again!  Here’s a second video, answering two questions:  “What is your favorite pattern?”, and asking to see close up shots of something I made.  I decided to do both in this blog and talk about Truly Victorian’s 1875 Parisian Trained Skirt, and show details of the my green plaid bustle dress.

 I noticed I made a few mistakes in the video, so I hope you’ll forgive me!  Mostly technical terms, but I also realized the front of the skirt is cut in three pieces, so there are more pieces than I said to the pattern.

I also forgot to show you the cover of the book I mentioned, which features, what I assume, is one of the inspiration images for the pattern design.

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The book is Victorian & Edwardian Fashion- A Photographic Survey.  You can pick it up on Amazon for really inexpensively, and it’s a fabulous book to have for inspiration.

Any thoughts or comments on this video blog?  Please do  let me know!  I would love to do more video blogs, so I appreciate your feedback!

1898- Trim Design Inspiration

I’ve already announced the new, lovely jacket pattern- Sophie.  Here are some great inspirations taken from 1898 Ladies Home Journal that can inspire you to trim your own version in a different way than initially show.  There is no reason why you could not substitute soutache, braid, or even embroidery in the place of topstitching.

Here is the original pattern illustration:

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And here are original period illustrations of similar garments:

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The swirls in the image above are “black satin appliqué scrolls”.  This could easily be done by cutting bias strips and hand stitching them in place.  It may even be pretty to add a thin braid to the edges.  I think the scrolls on the sleeves are especially fun!

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The image above appears to me to be something like a velvet ribbon, or bias cut velvet, edged in a braid.  This would give great dimension to a jacket, as it would have different texture and visual interest.  The topstitching, similar to on our coat pattern, is on this coat as well as the trim.

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Although this does not have trimming (except the capes), this is a great illustration of how you could add faux flap pockets and bigger buttons for the more exaggerated 1890’s silhouette.  I would suggest lengthening the jacket below the waist for these styles, too, to make the coat more balanced with the addition of the pockets.  A little fiddling in the mock-up stage could change the coat from a scalloped coat to a straight hem, and the omission of cuffs would put you right in line with the jacket at the lower right.

Have you joined my new e-mail list yet?  Please do join!  I am starting to do promotions that are only for my e-mail newsletter list, and you’ll keep up with my pattern, blog, and etsy happenings!

1898- Home Dressmaker Advice + Free Clip Art

Hello there!  Here’s another bit to share from a Ladies Home Journal from 1898.

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Here’s a page of suggestions for the home dressmaker.  I think this term should come back- there’s been past discussion of the term “sewer”, which can mean one who sews, or a sewer for waste.  So people call themselves sewers, seamstresses, sewists.  I LOVE dressmaker.  But I digress, here is the article- reformatted to fit easier onto the blog page.

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Also on this page was this cute ad.  Don’t you LOVE the bicycle?  Bicycling was hugely popular in the 1890’s for women, and somewhat shocking!  You know those bike runs people have?   We need an 1890’s one.  Even I would go out and ride a bike if I could wear a costume like this.

I also love the targeted marketing.  We can see what the lady of 1898 would find desirable.  You could probably substitute earning and iPad or teeth whitening today. Lol!

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Because the lettering and image are so cute, I have set them aside here for you to use as free clip art!  Feel free to use for your blog or website.  I’d love to see ads using the lettering below!

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Happy Friday!

1890’s Inspiration: Home-Made Muffs and Collarettes

I am working on a new 1890’s pattern, so as inspiration, here is a free article for you that I transcribed from the Ladies Home Journal, November, 1898.  I hope these provide you with inspiration for making little accessories to keep you warm in the upcoming months!

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ny one of the pretty muffs or collarettes shown on this page will prove a welcome Christmas present to either, wife, mother, sister or friend.  The pretty set made of astrakhan cloth, shown in the illustrations, will be found easy to reproduce.

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The muff is of the cloth, and made over a shape ; it is lined with silk of the new blue shade, and at one side is a rippled rosette with a tiny Rhinestone buckle in the center.

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The band for the neck is of blue velvet, piped with the astrakhan, and where it is crossed is a scant rosette of the velvet with the buckle in the middle.  Rosettes finish each end.

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  The hat has the crown and brim of astrakhan, the cloth being drawn closely over one of the new shapes to be worn off the face.  The broad spangled quills are caught in place by a velvet rosette, and a clover bow, also of the velvet, is under the brim so that it rests on the hair just in front.

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The rather elaborate set of black satin in illustrations, shows a flaring Medici collar of black satin lined with figured silk in light colors.  The edges of both collar and muff are outlined with a cord of heavy black and white silk.  The collar flares well away from the throat, which it should be made to fit, while the cape part is laid in flaring bloc-plaits.  At the neck is a narrow black ribbon, lopped in a tiny bow in the front under a Rhinestone buckle.  The muff, a veritable bag shape, is of material like the cape.  It is drawn together at the top under loops of ribbon, and a small strass buckle is in the center.  If one prefers it a piping of fur or satin may be substituted for the cord, but the cord is the newest in style.

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The simple but elegant-looking muff of tan cloth is made of cloth matching the gown.  It is semi-oval in shape and lined with cream Bengaline, the sides being arranged in scant frills that permit the lining to show.  In the center is a small fur head, from under which fall four fur tails, all being one of the dark shades.  A muff made in this way may be worn with any gown provided always that it match sin color, and that the lining of the frills is selected with an eye to that prevailing in the costume.

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Any woman who has many tiny tips- white ones- left from this hat and that wrap, may hie herself to the dealer in feathers, and by cleansing those already possessed and adding a few to them she may make a dainty boa, the one which may be fastened at the throat with a bow of white satin ribbon, with its loops and ends “fixed” after the very latest fashion.  To go with this there is the muff made of broad figured ribbon and finished at each side with frills of ribbon to match.  A gig bow of plain white satin is on top, contrasting well with a compile of tiny white feathers just beside it.  In appearance this set is elaborate.  There will be but a very little money gone from one’s purse, through the usage of wisdom and the combination of good taste will be great to create this pretty and stylish belonging.

There are many attractive belongings that do not cost as much money as time and dexterity, and that deftness that is really a talent.  Most of us can make our muffs and collars, otherwise there would be many more cold hands and sore throats. The cape collar of cloth, shown in illustration, which may be worn over the coat or without it, has a slightly curved air.  It is lined throughout with the Bengaline, the shaping of the collar showing the lining.  Around the neck, making a distinction between collar and cape, is a folded band of black satin ribbon arranged in a full bow at the back, wile in front, as if they were clasps, are two fur heads with several small tails falling from under them.  A more expensive cape of this kind, suited for mourning, would be one of crape lined with dull silk, and trimmed with ribbon and astrakhan heads.

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A most stylish set is the cloth one shown in illustrations.  It is made of gray cloth, although any shade matching the gown may be used.  The collar, as well as the muff, is made of shaped pieces tailor fashion, the stitching on the right side being done at each section and around the edges with heavy silk.  There is a decided flare given to the muff at each side,  while dark crimson velvet bows graduated in size are at the top and fall well forward.  The collar has a cape that ripples slightly, but the very high collar is straight, the stitching on it being very conspicuous.  The cape is short on the shoulders and comes to a decided point in front, its fastening being concealed under many loops of crimson velvet.  Both muff and cape are lined with an inexpensive gray fur which adds to their comfort as well as to their beauty.

Next to shaping one’s muff the greatest care must be taken to make the layer of cotton, really the layer, give not only the soft, full loop, but all vicissitudes in the shape of “lumps” of wadding must be straightened out.  The cloth muff, which is specially appropriate for the fur-trimmed cloth gown, will obtain this season.

There are many inexpensive furs, in bands, heads or tails, that are effective on the muff or collar and yet add but little to the cost.  Often the bust little woman who goes out by the day, sewing busily and with many a bright idea, since she is interested in her patrons, will evolve a muff form almost nothing.  One recently seen was oval-shaped, made of a bit of black brocade left over from a dress, lined with coarse white silk that was new but did not cost much, while on tip, from among loops and ends of ribbon- also new- hung tiny tails of ermine- entire cost, three dollars.  But the buyer of the materials for this very stylish muff understood that there were small, almost unknown, shops where a bit of fur or of pasesmenterie could be bought at a reasonable price.

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Something absolutely new is shown in the silk collar and muff in the illustrations.  They are made of soft, thin, golden-brown silk laid in accordion plaits pulled out as illustrated.  Satin ribbon bows in bands and loops make an effective contrast, the ribbon upon the collar being  little wider than that upon the muff.

All the muffs and collars illustrated upon this page are inexpensive, and any one of them may be made by the so-called “handy” woman, with an ease that will surprise even herself.  Other materials than those suggested here may be substituted, the only absolute requirement being that both the muff and collar shall be made soft and warm.

Finished Project: A Tissot Inspired Ensemble

This may be the latest posted “Finished Project” on my blog EVER.  In fact, I finished this many years ago, before I even had a blog!  It’s one of those projects that I felt completely inspired by, intended to wear to an event, but then put away and never took out again.  Well, I was determined to take photographs in it this year.  To be honest, I highly doubted I would actually fit in it, but a little squeezing from my new corset I made this year, and it *barely* fit.  Good enough for pictures, anyways!

When I first became aware of James Tissot’s amazing paintings, I wanted to make a bunch of dresses inspired by them.  This one, “At the Rifle Range” (or “Woman at the Rifle Range”) from 1869 was an instant favorite because it appealed to my inner adventuress.

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My husband was sweet enough to instruct me how to stand, so we could play at replicating the feel of the pose.  Here, with photoshopped background to look more autumn/winter-y than we currently are in Southern California.  The pistol is just a toy.

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And here is how the plants really look in November where we live.  I honestly wish we had some sort of weather- the years tend to kind of run together when you don’t have a visual representation of the changing of the seasons.

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Unfortunately, I can’t give details on it because I honestly don’t remember what I did, but I DO know I used Truly Victorian for a base of top and overskirt (though I can’t remember which ones), and changed the patterns, but the underskirt is my all time favorite base skirt, the Grand Parlour Skirt.  The fabric is an odd, interior decor fabric of sueded synthetic fibres, and the trim is faux fur.

Here’s a view of the back.  I used antique cut steel buttons.

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Trying to be Christmas-y with a vintage fur muff.1870fur3webAnd some kitty pictures for good measure :)1870fur4web1870fur5web

Wishing you all a Happy Thanksgiving! Many blessings to you and yours.