How to Make a Modish Hat, 1904

Happy Saturday!

Today I have a great article from the Ladies Home Journal from 1904 that tells how to make a hat for $3.00 (which equates to about $75.50 today, via the Inflation Calculator).  Although that might seem like a high price, we need to remember that ladies would usually only have one hat to last them through, in this case, spring and summer for a year.  They may even wear the same hat for several years and simply change the trimmings.  Most women didn’t have the luxury of having several hats or a collection of them, the way we can do today with our costuming or even our regular wardrobe.  So a little bit of an investment in a do-it-at-home hat could give a lady a hat that would be chic!

In the article it tells how to make the hat pictured.  If you try to take a go at it, please do let me know and share pictures!

Click the image above to be taken to a larger image you can read.

Have a great weekend!

The Practical Shirtwaist, 1904.

Sharing another lovely image from 1904.  Here are more shirtwaist designs from 109 years ago.  The illustrations are just lovely.  And the hats! *swoon*.

What I think is particularly interesting is the sleeve design.  The placement of the tucks and the way they controlled where the fullness is released, as well as trim or decoration accenting the cuff… simply brilliant!

Click on the image for a larger version you can read.

December Pretties- Millinery & McCall’s Magazine 1908

Hope you’re having a lovely weekend!

Here’s some pretty things from a magazine in my collection that’s over 100 years old- McCall’s Magazine from December 1908.  There’s lots of lovely hats- I’m a sucker for Edwardian millinery… or really anything to do with the fashion, actually.

Click on any of the images to be taken to a larger file on my Flickr.
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I’ve added a few of these images to my CafePress shop, too.

Hope they’ve inspired you for your winter millinery creations!

Autumn Suits, Bedell Catalog 1912

I don’t know what it is about this Autumn, but all of my inspiration is coming from Victorian and Edwardian sources.  Here’s some lovely images from a 100 year old catalog in my reference library.  These are from Bedell Catalog, Autumn 1912.  The inspiration for trimmings on otherwise pretty basic pieces are inspiring.  The cut of the back of the Cheviot suit jacket, below, is a delight.  Enjoy!

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Pretty Corset Ads from The Delineator, 1905.

I’ve been working on and off on a new pattern that I started last year.  No, it’s not a corset, but I will say that the late 1890s and early 1900s are inspiring me a lot lately in view of this project.

Here’s some very pretty corset ads from the November 1905 issue of The Delineator to share with you.
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This ad is beautifully drawn, but also kind of humourous.  If only this lady knew her corset was visible to the outside world by her shadow!  I’ll gladly take her jacket and hat, too.

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I absolutely adore the line art drawings of this period.  The ones on this WB Corsets ads are so beautiful and romantic, especially with the cute little cherubs and garlands of flowers, and the beautiful gathers and bows on the lingerie.

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If you’re interested in making underwear of this period, Truly Victorian has recently come out with an S Curve corset pattern and an Edwardian Lingerie pattern.  Heather’s patterns are amazing- I’m a big fan and customer, so I can’t recommend them enough. I have purchased both patterns and they’re in my stash just waiting to be made.  Images like these make me wish I had time to start them!

Paris is Dancing Mad: McCall’s Magazine, September, 1913

What is inspiring you lately? One of my current inspirations is 1910s fashion.  I think it would be quite lovely to incorporate elements of 1910s fashion into my autumn wardrobe!

Here’s some pretty images from McCall’s Magazine, September 1913.  The article is “Paris is Dancing Mad”.  I cleaned up some of the pretty images here, and you can get free hi res images by clicking on the link and going to my Flickr account, where the images are located.  Feel free to use for your crafts or save for fashion inspiration and study.

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Hope you have a lovely week!

Corsets and Dogs- Images from Good Housekeeping 1909

But not dogs in corsets ;)

I haven’t shared images from old periodicals in a long while, and I must confess the reason.  As some of you know, I got really sick a while back. Part of that was due to new sinus problems.  And you know what gets me pretty badly now?  Mold.  I have a hard time handling my dear old paper collections and even old patterns.  Part of that is why I’ve decided to start the Resto-Vival patterns- handing new paper is much easier for me now that I’ve accumilated the sensitivity- so I’d like to get some of my treasured old patterns transferred over and shared.  Ah, my, how the Lord has a sense of humour- let’s give the girl with the vintage patterns and magazines a sensitivity to them ;)  In any case, I’ve been needing to wear a face mask to help keep my reaction down when dealing with old paper, and finally got up the gumption to give it a try and scan in a few images.  Seemed to work well!

My mom loaned me some of her old magazines a while back. These are from Good Housekeeping magazine, November 1909 issue.  I thought the illustrations were rather lovely.
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Luckily these days our manner of dealing with bad dogs has changed, but the informal sketchy nature of these illustrations from a short story are rather pretty and fun with the orange accent color.  They are by Reginald Birch.

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Hope you’re having a lovely Wednesday!

Pretty Little Antique China

Hello!

One of my weaknesses is pretty little antique china.  I don’t know much about it, but when I see them at thrift stores or estate sales I love admiring them and occasionally adopting them.  I was having fun looking up some makers marks and thought I’d share a few little snapshots of two of my favorite thrifted china finds.

This petite little teacup is my very favorite one I’ve ever found!  It’s got a lovely pearlized finish and little blue bubbles.  I call it my “mermaid teacup.”  It was made by Limoges and an internet source dates the mark from between 1892-1907.  I’m not really sure I believe it’s that old, but regardless, I really love it!

My most recent find was a set of nine little plates in this pattern.  I thought they looked rather Arts and Crafts, and loved the color pattern.  I just looked up the mark (W A Pickard) and it ends up they were made between 1912 and 1918, so I was actually correct!  I just love these. I need to come up with an excuse for a little tea party so they can be used.

Does anyone else love these old china pieces?  Tell me about your favorite find :)

I also wanted to say thank you so much to everyone who commented on my Costume College project posts!  I was so thankful for your encouraging and complimentary comments :)  I still have lots of photos to go through from the event itself so hopefully will be uploading some of those soon.

 

A 1910s Outfit in Honor of the Titanic

Yesterday the San Diego Costume Guild got together for a costumed walk-a-bout of the Del Mar Antique show.  It very nice to get dressed up and see several friends I had not seen in a while, and it was great to talk to many of the attendees and vendors there, who were interested in our dress.  The show’s great fun, too- more for looking than for buying for me, but we were awed by beautiful antique jewelry, furniture, and art.  Since it was the centennial of the sinking of the Titanic, the costume theme was Titanic era costumes and many costumers had amazingly lovely and creative creations.  It was an interesting way to pay remembrances to the historic event that happened on that day one hundred years ago.

Unfortunately, I wasn’t sure if I was allowed to bring a camera in to the show (and it turns out I could have- will remember next time!), but I had my husband snap a few shots of my outfit when we got home.

It was quite rainy outside and a little chilly inside the building that the show was held, so on top of this outfit I had a vintage jacket from the 1910s.  I had been feeling poorly this week so wanted to make sure to keep warm! I do have some photos with the jacket and I will try to post those later.

The blouse I wore was vintage from the 1910s era- cotton with lovely pink polka dots and cotton net collar edged in bias of the polka dot fabric.  The sash was made of about a yard of silk remnants I had in my stash.  The skirt was made from an original 1910s sewing pattern, which was quite a puzzle to figure out- Beth and I recently found it at a flea market and the poor thing had most of the illustration missing and was a mystery size.  The shoes were thrifted and I added vintage buckles to them when I wore them for my wedding a few years ago.  I made the hat by using old placemats and taking them apart for the braid and hand attaching them to each other using a base from a 1909 pattern reprint for a brim and then decorated it with vintage silk from an estate sale and new silk flowers from a craft store and new feathers.

Many thanks to Mari for letting us take part in the walk-a-bout at the antique show!  It was a nice afternoon spent dressed up with friends.

Tutorials: How to Sew French Seams

This is the last of the tutorials in honor of the 1910s blouse pattern.  In this tutorial we will learn how to do French seams.

French seams are a great seam finish and the technique is quite old-  most of the original lingerie blouses and dresses I have seen from the Edwardian period have this finish for their seams.  I’ve seen it on the inside of lovely sheer chiffon 1920s and 1930s garments, and it is still used today on fine fabrics and sheers where you want a nice clean finish on the inside but don’t want the fabrics to ravel and don’t want an overlock stitch visible through the sheer.

You will need:

  • A sharp machine sewing needle (especially if using delicate or lightweight fabrics)
  • scissors
  • Good quality thread
  • a sewing machine (a basic straight stitch will do)
  • And, of course, your fabric. I do suggest trying this out on scraps before starting a final garment to make sure you understand technique.  Using fabrics with a print are helpful when learning this technique, as it is done by alternating stitching on right and wrong side of the fabric.

Just to clarify, for those new to sewing, the “right side” of the fabric is the side with the print or the side which should be visible when worn.  The “wrong side” of the fabric is the side which will be next to your skin and invisible when worn.  This is also called the “outside” or the “inside”, especially in vintage instructions.

For this tutorial we are using 1/2″ total seam allowance, which is what I use in most of my patterns.  Since French seams are completed in two basic stitches, we will divide that number in half, and each seam will be 1/4″ from the edge of the garment. It will make more sense as you read below:

1-  On the RIGHT SIDE of the fabric (fabric layered wrong side to wrong side), stitch 1/4″ from the edge.  I use a special 1/4″ foot for my sewing machine when doing this step, as I can just line up the seam allowance with the edge of my foot.  Be sure to be accurate with your seam, as using a smaller or larger seam allowance will cause pieces not to line up correctly when finished.

2- Trim your seam allowance to approximately 1/8″.  I usually eye half of the width and trim it away.  This is an important step, as it will prevent any threads from being visible from the outside of the garment.

3- Open the garment, with the seam allowance still facing up, and press the seam to one side using an iron.

4- Fold your piece right sides together, wrong sides facing outward, sandwiching the seam allowance between them.  Your garment will now be right side to right side (as it is when you sew a basic seam).  The edge you just stitched should be butted right up to the fold, nice and crisp.  Press again to create a nice, crisp, folded edge.

5-  Stitch 1/4″ from the edge.  This stitch encases the seam allowance, and from the outside it looks just like a normal seam. Press your seam, then open your garment and press the seam to one side.  It’s a nice and small and tidy seam on the inside!

As a visual, these photos are re-posted from one of the close up posts of an original garment.  In the first photo you can see the outside of an original 1910s blouse, and on the inside you can see the seam finishes.  Two of the seams in the last image are French seams (not the curved seam, but the others).

Outside detail.  You can faintly see the French seam through the fabric.

Inside detail, with the seam finishes visible.

That’s it!  They’re pretty simple once you get the hang of them, and you’ll find they will probably become one of your favorite seam finishes for delicates or sheers.

I hope you have enjoyed these tutorials and hopefully they will be useful for your sewing creations!