>I have never much been a gal for swooning over the normal crooners. Bing Crosby and Frank Sinatra don’t send me. Enter Skinnay (or Skinny) Ennis. I first heard him crooning on Hal Kemp recordings, and I admit his voice is just dreamy! His voice is so smooth and lovely it makes me nearly weak in the knees. Much to my surprise I just heard his voice on a commercial on TV! He was on a cruise commercial singing “It’s Winter Again”. Combine Hal Kemp’s music with Skinnay Ennis’ voice and it’s a dream come true!
I never actually saw a photo of him, but then saw him in “College Swing” from 1938 with Betty Grable. Awesome movie, dreamy clothing. You’ve got to see it! For some reason I pictured him completely different than how he looked. I can’t find a clip on youtube, but rent it if you can cause it’s a darling movie and very silly.
I’m a big fan of 1930s film. The more obscure, the more fashion-centered, the more I love it!
Here’s just a short list of a few films from the 1930s I have seen that have fashion show sequences. Unfortunately a lot of these are lost to time, so finding photos is a bit of a challenge. Take my word for it and try to hunt down some copies- some are not the best quality, but if you’re a fashion hound it’s great to see Hollywood’s take on high fashion in the 1930s.
Fashions of 1934
As with a lot of 30s films, Fashions of 1934 is mostly fluff with a bit of a plot line about high fashion knock offs thrown in, but it’s a great chance to see a young Bette Davis paired with William Powell, with Busbey Berkeley musical numbers. Gowns by Orry-Kelly are to die for and makeup by Perc Westmore. I had been dying to see this film for years and finally found a copy for sale at Scooter’s Movies. It’s fab!
I make no secret of my love of Fred and Ginger films. So, they all have a somewhat similar plot line- the costumes are always AMAZING and I would kill for Ginger’s wardrobe in nearly any of the films. Luckily some generous soul has uploaded the Roberta fashion show sequence onto YouTube so you can see how wonderful the costumes in this film really are! Don’t forget to keep an eye out for a young (and platinum blonde) Lucille Ball. The gowns in this film were by Bernard Newman, who did a lot of Ginger’s gowns in other Fred and Ginger films.
Vogues of 1938 (1937)
Vogues of 1938 is fluffy little film about an heiress who is all set to marry a man she hates- and all the chaos that ensues. She signs up as a model for the House of Curson much to the dismay of her elite fiance, and has quite a funny little fashion show sequence at the film climax. Great fun! Joan Bennett is in the leading role in this film, with gowns by Helen Taylor and makeup by Max Factor. I bought my copy on Amazon, but I think it might be elsewhere around the web as well. This is one I wish someone would remaster as my copy is a bit fuzzy.
Artists and Models Abroad (1938)
A theatrical troupe stranded in Paris in 1930s western clothes with hokey musical numbers and fashion thrown in? Rich society girl tries to pass as a starving artist to join the troupe? 1938 Paris Exposition? Yes, please. Artists and Models Abroad is such a fun and fluffy little movie of little substance but great clothing. In this one we’ve got Jack Benny and Joan Bennett, and a whole slew of real life Couturiers represented including Alix, Jeanne Lanvin, Lucien Lelong, Paquin, Patou, Maggy Rouff, Schiaparelli, and Worth. Film costumes by Edith Head. It’s enough to make you dream of jumping into the film just to play dress up. It’s hard to find a copy but I finally tracked one down through Ebay (but it’s now on Amazon and cheaper there), and even though it does need restoring (someone? please?) it’s still quite a treat. Apparently there was a prequel called Artists and Models but I’ve been unable to track down a copy yet.
The Women (1939)
It’s hard to imagine a time before I knew The Women. It seems that every gal who finds out about it thinks she has discovered gold and immediately wants an entire Adrian wardrobe. Well, it’s true- it’s that good and you’ll find yourself not only loving the witty dialog, but laughing at the underhanded humorous way they picture various “types” of women- not to mention drooling over the amazing hats. The fashion in this from beginning to end is fabulous- including the fun technicolor fashion sequence in the middle of the film, and we get a bit of a view of Hollywood’s approach to surrealist fashion as done by Adrian (while in high fashion Schiaparelli was the leader of this art-meets-fashion movement). You can buy this DVD on Amazon, and I know Netflix should have a copy- though I know once you see it you’ll want to just own it. For more on the surrealist fashion trend try to track down some Harpers Bazaar magazines from 1938-1939- libraries in older large cities or universities often times have them in the reference section and you can look through them to your heart’s content. If you want to see more fashion from The Women, Casey has an excellent blog post with stills. The fashion show sequence used to be on YouTube but it seems to be disabled.
If you want to read more about 1930s fashi
on in film and it’s impact on society I very highly recommend the book Screen Style: Fashion and Feminity in 1930s Hollywood. It’s mostly text and choc full of information. My wish-list of films are what are referred to in the book!
After seeing some of these films you’ll see why the fashion show sequence in Singing in the Rain is such a riot!
Do you have favorite films for 1930s fashion, or movies from the 1930s about the fashion industry? If so please share!
I don’t remember when I first caught wind of the new series Downton Abbey, now showing in the USA on Masterpiece Theatre, but I now am so entirely engrossed in the story line and characters I cannot imagine a time it was not in my memory. That is exceedingly high praise from me for any film or series- as I nearly always say “I like it, but…”
Downton Abbey, contrary to what you might think, is not an adaption of a historical work of fiction but actually a genuinely new and original show altogether. We enter the world of Downton Abbey in 1912- with a few years until the world was forever changed by the onslaught of WWI. It’s done exceptionally well. If you are a fan of British film and adaptions of period novels you will recognize many of the players- including the amazing Maggie Smith (who needs no introduction because she’s that amazing), Brendon Coyle (also in North and South), Jim Carter (also in Cranford), Penelope Wilton (also in Wives and Daughers… and I’ve just noticed all my references are from Elizabeth Gaskell novels) among other recognizable and talented actors. I watched one installment on PBS.com and I was so hooked I immediately went online and ordered the DVD set- and have not stopped watching them since they arrived. I quickly went through all of them and am now absolutely horrified I need to wait heavens knows how long for Season II. Yes, they really are that good. I know, as a reader of this blog, that all you’re really interested in are the clothes- and let me say, they do not disappoint. One of my favorite moments in the entire series is seen at left, and trust me- this period is so often misrepresented in terms of costumes that I am completely thrilled to see this done accurately and tastefully- even down to detailing as to hairstyle, hats, colors, and textiles. They even nail something that is often times so difficult to portray- the age differences in the different classes as related to period dress. We see the older women wearing older styles- the younger ladies wearing the up and coming, and the lower/middle/upper class portrayed extremely well in regards to dress. It’s thrilling to see this period so accurately portrayed.
Strangely enough it seems many of the costumes were actually previously used in period dramas- here is an interesting article stating a few of the costumes previous lives. But I’m sorry- as a person who never understood the hype with Finding Neverland I feel that Lady Mary carries off the blue frock with netting and beading much better. Why are the costumes so lovely? Many of them came from Angels- a costume house that truly knows their stuff. When I worked at the San Diego Opera I got to handle many of the gorgeous original period 1910s outfits we had on loan and would have gladly confiscated them for “personal study” if given the chance ;) Ok, not really- but they sure were lovely to play with. I won’t give away the story line, but let me suffice to say that this view of the upstairs/downstairs world of Downton Abbey is fascinating, extremely well done, and is something not to be missed. Now, when are we getting Season II in the US?
(All images are provided solely for review of the series and are the property of their respective copyright owners. Wearing History has no affiliation with Downton Abbey or it’s affiliates)
>I am a sucker for old movies. I grew up watching them and I was even named after Lauren Bacall. I remember as a young teenager telling my friends that I thought the old movie stars were much prettier than today’s actresses. As time went on I began to notice more and more the clothing in film and now I’ll just as likely be watching the extras in the background and what they’re wearing than paying attention to the actual plot line. I have many, many, many favorite film costumes. My vintage film icons are Ginger Rogers, Barbara Stanwyck, Katherine Hepburn, Joan Fontaine, and Myrna Loy. Each of them has a particular “look”, and I’m drawn to them for different reasons. Ginger Rogers has playfulness in dress and over the top evening gowns. Barbara has clothing of tailored lines but still with a sort of sexual allure. Katherine does well in man tailored dresses and casual wear. Joan Fontaine has a classic look of understated elegance. Myrna Loy has pure 30′s sophistication. There’s clothing I love that falls outside these main stars as well, but those are my fashion icons for their different looks. Here’s the top film costumes I’d love to make for my personal wardrobe. Most of these I’ve wanted to make for years and years (or even a decade) but have yet to get the perfect excuse. I know I’m leaving some out, but here’s my favorites in no particular order.
Rosalind Russel’s striped overcoat and hat from His Girl Friday, 1940. One of my first favorite classic movies and the one that gave me my intro to classic styles I’d actually like to wear myself. Costumes by Robert Kalloch.
Myrna Loy’s striped dress from The Thin Man, 1934. I can see this in a white and red striped organza. A candy cane dress for their holiday party. I would take ANY of her costumes from this film, but this is tops on my list. Costumes by Dolly Tree.
Ginger Rogers dress from “The Yam” number in Carefree, 1938. I would love to make this in green and salmon starburst pleated chiffon. Costumes by Howard Greer. Funnily enough this is not my favorite of Ms. Rogers gowns, but it is one that I think looks like the most fun to dance in.
Another from Howard Greer for Carefree, this hearts and arrows has been tops on my list since I first saw the movie some three or four years ago. One of my best girlfriends also has this dress on her “to make someday” list, so we’ll be matchy-matchy. Hehe.
Ginger’s satin sailor suit from Follow The Fleet, 1936. I’ve actually done all my research on how to make this costume but have yet to make a pattern for it. I see it in either navy blue or deep purple with yellow accents even though most of the film posters I’ve seen show it as burgundy with yellow or pink. Costumes by Bernard Newman.
Barbara Stanwyck’s two piece evening gown from The Lady Eve, 1941. Actually all her clothes in this movie are to die for wonderful. If I could be entirely outfitted from one movie this one might be top on that list. I don’t want to hand bead the entire top so when I make this comes whenever I find a black beaded fabric I think will work. Costumes by Edith Head, who I’m usually not that big of a fan of but this film is an exception.
So what about you? Any movie costumes tops on your list? Do we share some of the same favorites?
>A friend got me to thinking about Deanna Durbin with her post on Lady on a Train. So here, in something you probably won’t see now-a-days, is an article from Glamour in 1939 about teens dressing their age- with a few piccies of Deanna Durbin.